2020
• Träda / Fallow
• I Am Also Smoke
• Chateaux n°8 2020
• Hopscotch Reading Room
• OEI # 86–87: publishing practices, publishing poetics
• Contemporary Thought in the Time of Pandemic
• Motion 2003/04:Sk426
• Lag (2007:346) – Tax Deduction RUT is Implemented
• RUT Tax Deduction Increased
• RUT och Arbetslinjen (RUT and the Line of Labor)
• High Income Households Receive Largest Share of Tax Deductions RUT and ROT
• The Integration Engine
• Deep Social Space
• Mata duvorna
• sentences
2019
• Mending a Broken World
• Letters of Arrest
• Herculine Barbin: Being the Recently Discovered Memoirs of a Nineteenth-century French Hermaphrodite
• I, Pierre Riviere, having slaughtered my mother, my sister, and my brother…
• Piece on the Whitney Biennial
• TP Okoumou at the Statue of Liberty
• The Confederate Soldier Memorial at Camp Chase Confederate Cemetery, near Columbus, Ohio
• Thy Troy is Fallen
• Statue known as “Silent Sam”
• Durham County’s Tribute
• The Broth of Tomorrow
• Läs mina läppar
• Judith Hopf: OUT
2018
• Soul of a Nation: Art in the Age of Black Power
• Charles White: A Retrospective
• Lulu Journal #3 “The Pit”
• The Turin Horse
• Untitled
• Manifesta 12
• Art et Liberté: Rupture, War and Surrealism in Egypt (1938–1948)
• Tillvaratagna eftermiddagar
• The Seven Works of Mercy
• Raising of Lazarus
• Adoration of the Shepherds
• Burial of Saint Lucy
• Nativity with St. Francis and St. Lawrence
• The Social Strike – a talk with Michael Hardt and Kathi Weeks
• Arte Útil [3]
• Arte Útil [4]
• Arte Útil [2]
• Arte Útil [1]
• OEI #79: edit/publish/distribute!
• Rojo Indio
• Still Brazil
• Histories of Sexuality
• Los animales muertos
2017
• PRESSURE | IMPRINT
• Chateaux n°2 2017
• Provisorium
• The Image of War
• Manipulate The World

2020
• Art, History, Form
• Tender Arrivals
• Images of Jack
• Gardens Make Me Laugh
• Question and Butter
• Now move the trailer off
• Basic
• Division of Labor
• Commodification and Capital Expansion
• Class Drawing
• Regressive Distibution
• Race, Gender, Precarization
• She Tries Her Tongue
• alla dagar räknade
• sentenced
2019
• Two Poems by Paul Celan
• The Transposition of Letters
• “Happy Limbo” (Derridean Echoes)
• Degree Zero of Literature
• Wake Up and Smell the Tear Gas
• Untitled
• Durham County’s Tribute, 2017
• “Is such a hope justified? Do the Sorrow Songs sing true?”
• “The North went to war without the slightest idea of freeing the slave. The great majority of Northerners from Lincoln down pledged themselves to protect slavery, and they hated and harried the Abolitionists.”
• Untitled
• Common Property, Common Poetry
• Structure, Fulfillment, Crescendo
• Hostile Vehicle Mitigation
2018
• A Rare Slice of Art History
• Pan American Unity
• The Foundation Pit
• For Nietzsche on his Birthday
• A Certain Violence
• Death and Vegetation in Palermo: Death of l’Ancien Régime/ Death of the International Mega Exhibition – Death at Sea / Death as a Class- and Race-determined Phenomenon / Surveys of the Local Vegetation
• Annotated LRB Review
• Short Distance Champ Wins both Fast and Slow Competion
• Conspiracy between Church and Gutter
• None to whom I feel closer
• The Dusty Feet of Truth
• Tenebrism and the Raw
• Thieves of light
• “Justice is the fundament of power and stability of the Commonwealth”
• The Contradiction of Capital
• the razzle dazzle of thinking
• Stained, smelled, and sticked to the remix of reproduction like a poor image in a wrong page, it is waiting to be zoomed in the history of shhh.
• My Female Friend Richard
• The Readable Exhibition: Historical Stakes
• Still Live
• Learn Dutch to Know Brazil
• Barbarous Dance: Five Steps to Touch Your Heat
• Two Insects Kissing in a Sugar Bowl
2017
• STAMPING BOOTS, HAMMER BLOWS, LETTER ARMS
• The Little Weight of a 16 Page Poetry Review
• Stories Connected To Objects
• Critique, Manipulation, Pole Sitting?
• The Emancipated Spectator