Eva Löfdah, Alla världar ger ett sken, C / All Worlds Emit, C, 2023, mirror glass, flax fiber, 74 x 62 x 19 cm. (The Swedish title has a double sense which is not conveyed in the English. A more literal translation would be “All worlds produces a sheen/semblance.” This seems to have some significance in relation to the other title used in the exhibition, “Grains of Truth.”)Eva Löfdahl, An Audile Double, Installation view. Galerie Nordenhake, 2025.Eva Löfdahl, Alla världar ger ett sken, C / All Worlds Emit, C, 2023, mirror glass, flax fiber, 74 x 62 x 19 cm.Eva Löfdahl, Alla världar ger ett sken, B / All Worlds Emit, B, 2023, maps, flax fiber, plaster, fiber material, 68 x 61 x 15 cm.Eva Löfdahl, Alla världar ger ett sken, B / All Worlds Emit, B, 2023, maps, flax fiber, plaster, fiber material, 68 x 61 x 15 cm.Eva Löfdahl, An Audile Double, Installation view (showing some of the 33 photographs of jellyfish entitled Grains of Truth). Galerie Nordenhake, 2025.Eva Löfdahl, Grains of Truth, 2025.
Eva Löfdahl, Grains of Truth, 2025.Eva Löfdahl, Grains of Truth, 2025.
Eva Löfdahl An Audile Double Galerie Nordenhake, Stockholm
20 February – 29 March
Jan van Eyck, The Arnolfini Portrait, Oil on oak panel, 1434.Jan van Eyck, The Arnolfini Portrait, Oil on oak panel, 1434. (Detail)The History of the Eye (contact lens on bathroom floor). Photo: private
